Methodology of Studying Linguistic Units in Different Texts and
Discourses
Rano Sayfullaeva
1,2
and Gulshan Nasrullaeva
2,3
1
National University of Uzbekistan named after Mirzo Ulugbek, Tahskent, Uzbekistan
2
Alisher Navoi Tashkent State University of Uzbek Language and Literature, Uzbekistan
3
Karshi branch of the Tashkent University of Information Technologies, Uzbekistan
Keywords: Linguistic Unit, Text, Discourse, Scientific Discourse, Political Discourse, Use of Metaphors in Text and
Discourse.
Abstract: This research discusses the methodology used to study different texts and discourses. It is based various
approaches from the world linguistics regarding, specifically focusing on the function and classification of
linguistic units like metaphors. The main task of metaphors is to express the speaker’s abstract (scientific,
scientific popular, or scientific-artistic) speech in an understandable and effective form. The role of metaphors
is particularly important in describing scientific concepts, hypotheses, political, even official information in a
figurative way that is understandable to a member of society with any worldview. In world linguistics,
anthropomorphic metaphors are widely studied in scientific and commercial discourse. In order to make the
Uzbek economic communication effective, it is proved on the basis of concrete examples that there is a need
for a wide study of the use of metaphors in commercial texts, a systematic study of linguistic units used in
political texts and discourses, especially metaphors.
1 INTRODUCTION
When perceiving the world through language,
metaphors stand as the most effective linguistic
phenomena. The study of metaphors among language
units has been undertaken since ancient times, and
their significance is evident from this historical
interest. The scientific exploration of metaphor,
initiated by Aristotle, has evolved across many stages
to the present day. Numerous types of metaphors have
also been scrutinized in global linguistics. Renowned
linguists such as A. Richards, M. Black, N. D.
Arutyunova, M. Johnson, and J. Lakoff have
advanced these metaphor studies, significantly
shaping our understanding of its role and place within
language. As the anthropocentric approach currently
dominates linguistics, significant emphasis is placed
on examining anthropomorphic metaphors in the
context of various speech situations. Given their
vividness, imagery, expressiveness, and emotionality,
metaphors often serve the primary purpose of
influence in speech, rather than simply conveying
information.
*
Corresponding author
Based on various aspects of learning, research has
been conducted to analyse metaphors in language.
Consequently, metaphor study has entered the realm
of interdisciplinary research, with key investigations
emerging that focus on the role of metaphors in
scientific language. For many years, researchers have
been intrigued by the phenomenon of metaphor,
particularly its nominative nature and aesthetic
potential. While a great deal of research has been
dedicated to various aspects of metaphorology, the
range of approaches to understanding the essence of
metaphor underscores its complex nature and the
ongoing need for further study. Metaphor is currently
a focal point for linguists, literary critics, cognitivists,
neuropsychologists, and other scientists. Presently,
the portrayal of the metaphorical worldview is
achieved through the reconstruction and theoretical
understanding of individual elements from a stylistic
perspective.
The study of linguistic units in various texts and
discourses, including metaphors, has been
extensively undertaken by scholars such as
Yu.D.Apresyan, O.I.Glazunova, D.Davidson,
282
Sayfullaeva, R. and Nasrullaeva, G.
Methodology of Studying Linguistic Units in Different Texts and Discourses.
DOI: 10.5220/0012486000003792
Paper published under CC license (CC BY-NC-ND 4.0)
In Proceedings of the 1st Pamir Transboundary Conference for Sustainable Societies (PAMIR 2023), pages 282-287
ISBN: 978-989-758-687-3
Proceedings Copyright © 2024 by SCITEPRESS Science and Technology Publications, Lda.
E.Kassirer, D.Lakoff, M.Johnson, E.Mackormack,
and H.Ortega-i-Gasset. Other scholars like
M.A.Arbib, N.D.Arutyunova, A.Vejbitskaya,
R.D.Leng, E.Mackormack, I.P.Merkulov, M.Minsky,
have made significant contributions regarding the
theory of frames and associative images. Scholars
like J.Searle, Yu.S.Stepanov, F.Wheelwright have
focused their studies on metaphors, generative
semantics, and the cognitive, communicative,
emotional, and volitional influencing functions of
metaphor. R.Yakobson, O.N.Laguta, among others,
have conducted scientific studies on the gradual
development of metaphorology. In our republic,
scientists such as M.Mirzaev, M.Mirtojiev,
M.Mukarramov, Z.Tohirov, and S.Usmonov have
examined metaphors from various perspectives.
In the new stage of Uzbek linguistics, several
scientific studies on metaphors have emerged.
Particularly, from the scientific observations and
conclusions of linguists like D.Khudayberganova,
Sh.Makhmaraimova, and G.Kabuljonova, it's evident
that studying the Uzbek language from the
perspective of metaphor theory is vital.
However, the sociolinguistic features of the
anthropomorphic metaphor in linguistic, cognitive,
and lexicographic aspects have not been sufficiently
addressed in existing scientific works. This study
aims to examine anthropomorphic metaphors in
various discourses (artistic, journalistic, and
scientific) and determine their sociolinguistic value
and social significance.
Traditional views on metaphor consider it merely
as a linguistic unit or a contextual growth, without
taking into account its functions that facilitate the
exchange of ideas. However, thought itself possesses
a metaphorical character; it emerges through
comparison and is expressed in language. The
scientist I.M. Sechenov, who was the first to study the
psycholinguistic nature of metaphor, proved the
process of transformation of human emotions into
symbols through purely physiological factors.
By the 1930s, the English linguist A.A. Richards
proposed naming the constituents of the metaphor as
“content, essence” and “shell, figurative (image)”.
Richards considered metaphor as an organic
phenomenon that emerges in the process of
interaction of conceptual structures situated in layers
deeper than linguistic combinations, and existing at
the foundation of words.
G.N. Sklyarevskaya highlights that in the 1960s
and 1970s, metaphor was studied from four
perspectives - nominative-subject, formal-logical,
psychological, and linguistic. She notes that these
studies have evolved into eleven independent
directions in recent years (Sklyarevskaya G. N.
(1993)).
In addition to this classification, three main stages
can be identified in the history of the artistic-
philosophical interpretation of metaphor: 1)
interpretation of metaphor as a special type of
comparison; 2) an interactive concept - its proponents
believe that the collision of different levels of
meaning in linguistic devices creates a special context
that allows us to perceive all objects in a new way; 3)
the concept of the "semantic turn", which involves the
development of new perspectives on the world,
resulting from the interaction of various "linguistic
landscapes" that shape the cultural landscape of
language.
O.A. Svirepo describes the three main
mechanisms of metaphor formation as follows: 1)
semantic (developed by Black, Richards, Rotbart, and
others); 2) pragmatic (developed by Cohen, Marglit,
Shiblz, Lakoff, and Johnson); 3) semiotic
(investigated by Henle).
As previously noted, the study and research of
metaphor in world linguistics is generally conducted
according to the classification proposed by Russian
linguist O. Laguta: 1) Ancient metaphorology
(Aristotle, Philodemus, Theophrastus, Cicero,
Quintilian); 2) Medieval metaphorology (Isidore of
Seville, the Venerable Bede, Georgius Choeroboscus,
Philipp Melanchthon); 3) New Age metaphorology;
4) 20th-century metaphorology, which involves new
aspects of investigation, such as defining its
boundaries.
Words related to human organs and other similar
phenomena may undergo metaphorical
transformation over time. For instance, 'eye' initially
referred to the human organ of vision before it was
extended metaphorically to denote similar-looking
objects in nature the 'eye' of a ring, 'eye' of a needle,
or 'eye' of a spring, etc. Until now, scientific texts in
the Uzbek language devoted to the study of
anthropomorphism have hardly been analysed. These
metaphors have mainly been examined through
literary texts. To fully uncover the specific features of
anthropomorphic metaphors, it is necessary to
analyse texts of different styles from linguistic,
sociolinguistic, and linguacultural perspectives.
Uzbek linguistics also features numerous studies
on metaphors, which serve as a means for deeper
understanding of the world. For example, B.
Sarimsakov considers a metaphor to be a literary
innovation, differentiating it from a simile (tashbeh)
based on the omission of comparative words
An analogy involves two components that form a
comparison. A metaphor is distinguished by the
Methodology of Studying Linguistic Units in Different Texts and Discourses
283
omission of words such as “like" or "as" (Sarimsakov
B. (2004)). The notion of positioning a metaphor as
an alternative to another metaphor arises from views
that have long existed in the scientific and literary
heritage. This understanding of metaphor can be
found in the works of Ibn Khaldun, Umar Roduyani,
Rashididdin Watwat, Kays Razi, and Sheikh ibn
Khudoidad Tarazi. The examination of metaphors in
Uzbek linguistics has found its significant scientific
and research development in the last decades of the
20th century.
Scientist M.M. Mirtojiev, who conducted
comprehensive research on Uzbek lexicology,
classifies metaphors into speech and language
phenomena. Regarding the types of metaphors in
German linguistics - personification, symbolization,
allegory, synaesthesia - he states, “These types of
metaphors, related to speech phenomena, can be
applied to metaphors related to language phenomena
with certain modifications. In this case, it is necessary
to exclude the symbolism and allegories arising
purely from the nature of speech. This is because
symbolization is a metaphor that occurs in relation to
ellipsis in speech, and allegory surfaces in the context
of speech and intonation. Based on this, metaphors,
which are linguistic phenomena, are categorized into
forms such as simple metaphor, personification, and
synaesthesia” (Mirtojiev M.M. (2010)).
According to M.M. Mirtojiev, a simple metaphor
cannot be viewed as a nearly reduced simile. A simple
metaphor is based on a straightforward comparison,
the similarity of referents, while personification is
rooted in the attribution of animate qualities to an
inanimate referent. Synaesthesia, on the other hand,
is based on comparing and simulating the
characteristics of a referent perceived by one sense to
a referent perceived by a different sense.
All the aforementioned metaphors are mostly
conventional metaphors (M. Yoldoshev, Z. Isakov,
Sh. (2010)). Linguist R. Kongurov identifies
metaphor as a figure of speech, and responds to N.I.
Ashmarin's assertion that the usage of figurative
words - nouns, adjectives, adverbs - in place of other
word groups constitutes a metaphor, in the sense of a
move towards abstraction. Figurative words,
although their expressions cannot be imitated by
sound, impart a specific impression of the
phenomenon they represent. Metaphorical figurative
words are tied to the subject; thus, the speaker
(subject) perceives the phenomenon they express.
However, they do not evoke a concrete image in the
listener. Onomatopoeic words denote auditory
phenomena. The events represented by metaphorical
descriptive words cannot be seen or heard: 'Sidiqjan's
heart was broken' (A. Kahhor, K.ch.), 'My heart is
about to burst' (M. Sholokhov, I.t.), 'The fleeting
decision of Sahib Doro Haydar burned in his chest,
thinking it was one of his fading dreams, he shrugged
his shoulders and remained silent' (Oybek, Navoi)”
(Call R. 1966).
In this regard, the scientist has analysed the
phenomenon of metaphorization in figurative words,
which is under-studied not only in Uzbek linguistics,
but also in world linguistics. The meaning of this type
of words differs entirely from that of independent
words. Independent words maintain a certain
reference to the basis of analogy at any level of
metaphorization. The metaphorization of figurative
words is characterized by a high degree of abstraction
in the process.
N.M. Mahmudov distinguishes synesthetic
metaphors among others and states, “Words in
synesthetic metaphors can be mutually contradictory,
even completely opposite to each other. Such unusual
combinations are also called 'oxymoronic
combinations' (for example, 'bitter truth' is good and
'sweet lie' is bad. - E.V.)” (Mahmudov N. (2009)).
In particular, D.S. Khudayberganova takes a
fresh, modern approach to the study of metaphors.
This scholar views metaphors not only as a
phenomenon that reveals aspects specific to the
national-cultural thinking of the speakers of the text
but also as having significant cognitive-semantic
value. According to her, texts built on the basis of
similes and metaphors provide an opportunity to
determine the forms of text that are moulded in a
particular language. She regards metaphors as
precedent forms of the text (Khudaiberganova D.S.
2015).
In Uzbek linguistics, a group of scientists and
researchers interpret revitalization as a special type of
metaphor. L. Djalolova, however, sharply
distinguishes revitalization from metaphor and
regards it as an independent expressive tool.
According to her, revitalization is a phenomenon
separate from metaphor, “in which human action,
emotion, speech, and thought are transferred to
inanimate objects, but humans are not understood
through them.” M. Mirtojiev presents revitalization as
a semantically significant type of metaphor. The
scientist prefers the term "personification" in
linguistic studies because "animation" is more
characteristic of artistic expression. However, this
seems slightly controversial. Animation as
personification is a broader phenomenon than mere
personification. In Eastern literary studies,
personification itself has forms such as diagnosis and
speech. Animation, in general, is the attribution of
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features characteristic of living things to inanimate
objects: autumn slumbers, my heart laughs. M.
Mirtojiev’s perspective of revitalization as a
semantically significant type of metaphor appears to
be scientifically accurate.
G.K. Kabuljonova (2004) investigated
metaphorical movements in the Uzbek language
using the method of component analysis. She found
that metaphor cannot be the same for all lexical
semantic groups (LSGs). There are also certain rules
for transferring names: different LSGs are assigned
for transfers in various situations. For example,
animal names are often used to represent human
nature, while plant names are often used to represent
appearance.
Kabuljonova (2004) defines the philosophical
foundations of metaphor study as follows:
1. Objectivity: Everything exists as it is before and
after we begin to study it.
2. Substantiality: Any object of study, including a
language unit, is a sum of its qualities. Existence
is matter.
3. The distinction between phenomenon and
essence, particularity and generality: In the
assessment of language units, it is necessary to
distinguish between the phenomenon and the
essence, the particularity and the generality.
4. The possibility of intermediate situations between
conflicting events: It is necessary to take into
account the possibility of intermediate situations
between conflicting events.
Kabuljonova's (2004) study provides a valuable
contribution to the understanding of metaphor in the
Uzbek language. Her findings have implications for
the study of metaphor in other languages as well.
Kabuljonova categorises views on the nature of
metaphor into three groups: 1) Metaphor is (almost)
any means of transferring a name (as per Aristotle, E.
Cassirer); 2) Metaphor as a reduced simile (according
to A.A. Potebnya and his followers); 3) Metaphor is
a special type of transference (proposed by A.
Wierzbicka, N.D. Arutyunova, and Uzbek linguists).
Broadly speaking, G. Kabuljonova provides a
theoretically comprehensive and original perspective
on the nature of metaphors, summarising the
achievements of global linguistics. Similes based on
metaphors influence the nature of metaphors. Hence,
a metaphor, when the simile is evident, is
comprehensible; when the simile is crafted, it
becomes unclear; and when the simile is lost, it is
imperceptible. The loss of similitude transforms
metaphorical adjectives into plain nouns.
Sh. Mahmaraimova has taken a complex approach
to the study of metaphor from both linguistic-
cognitive and linguistic-cultural perspectives. The
scientist analysed theoretical views on the emergence
mechanism of theomorphic metaphors, cognitive
laws driving metaphorical thinking, and reception,
processing, storage, and transmission (representation)
functions of metaphor-imbued knowledge. The
scientist deeply explored the ethnogenesis of
theomorphic images that form the object of
theomorphic metaphors under the influence of local
mythological systems, using the gradual development
of metaphorical thinking as an example. This method
highlighted its stark distinction from religious
metaphors. The spelling of names identifying
theomorphic images and the synthesis of images
related to the object of theomorphic metaphors and
religious metaphors were explained for the first time.
The scientist also provided clear conclusions about
the occurrence mechanism. Based on the materials
from world literature translated into Uzbek,
frequently used theomorphic metaphors in discourse
were identified, demonstrating the "cliché" of
theomorphic metaphors in typical communicative
situations that express the national-mental and
communicative expression of the language owner. It
was theoretically proven that theomorphic metaphors,
which have the quality of moral-evaluative psychic-
mental unity, hold their proper place in the national
linguo-cognitive image of the world, indicating their
importance as linguocultures (Makhmaraimova Sh.
(2018)).
The analysis reveals that the anthropomorphic
metaphor is intricately structured and possesses high
pragmatic potential. Its model is composed of the
frames "body", "body parts", "appearance", and
"human character".
The deployment of metaphors is also highly
effective in medical scientific discourse, where they
are used to represent diseases that need treatment,
signs and symptoms of diseases, and their
consequences. The employment of metaphors in
scientific popular speech also yields positive
outcomes.
The utilisation of metaphors in the energy field
enables clear and concise expression of ideas. In such
texts, meanings are transferred based on the similarity
of individual signs, movements, and shapes. For
example, "Heat engines use gases, gas-vapour
mixtures, or water vapour as working bodies because
these bodies must possess expansion and
compression properties. In internal combustion
engines, air serves as the working body; it absorbs the
heat energy generated by fuel combustion and
performs mechanical work by pushing the piston
Methodology of Studying Linguistic Units in Different Texts and Discourses
285
during the expansion process (Khudoyberdiyev T.S.
(2008))."
Similarly, in texts about geometry, human
behaviour is sometimes transferred to objects. For
example, the following sentence describes a
geometric shape shift:
If each point of a given shape F in space is moved
in some way, a new shape F1 is formed. If in this
transfer (reflection) different points of the first shape
move to different points of the second shape, this
transfer is called a geometric shape shift.
Similarity substitution in space maps straight lines
to straight lines, ray to ray, segment to segment, and
angle to angle. This permutation also reflects plane to
plane (Haydarov B.Q. (2017).).
The highlighted words each carry distinct
meanings within the context.
In linguistic theory, metaphorical words are used
to explain the essence of linguistic phenomena and
express them in an understandable manner. For
instance, when researching in the field of phonetics,
there is a need to explain sound-related processes
figuratively. For example, ...contractions
(absorption of phonemes) are based on...” (Eltazarov
J. (2004)) the highlighted word in this sentence has
taken on a metaphorical meaning. In the sentence
“The rate of absorption of ions depends on their
concentration in the medium”, there is another
figurative meaning that differs from the absorption of
sound.
The active expression of anthropomorphic
metaphors in scientific texts is also demonstrated in
the following example: “No method can compete
with chromatography, which is a physico-chemical
research method, in terms of its universality and
effectiveness in separating complex mixtures.”
(Muhamadiev N.Q. (2017)) The inability to compete
is, in reality, a characteristic of human behaviour. Its
application in scientific language to substances leads
to a clear, figurative, and understandable expression
of thought.
While anthropocentric studies are conducted in
linguistics, the anthropomorphic type of metaphors is
not specifically studied. Researching
anthropomorphic metaphors in relation to various
discourses carries important scientific-theoretical and
practical significance.
2 CONCLUSION
It has been found that metaphors have been
extensively studied in various aspects within global
linguistics. Particularly, metaphors are investigated
not only within artistic texts, but also in scientific,
official, and journalistic texts. In Uzbek linguistics,
the phenomenon of metaphor in scientific and popular
scientific texts deserves special investigation.
Studying anthropomorphic metaphors in different
discourses reveals the lexical and grammatical
potential of linguistic units, how meanings are
extracted, and how lexical and metaphorical
meanings develop, particularly in poetic texts. Dual
research from both linguistic and literary perspectives
would yield fruitful insights into the metaphor as a
principal means of shaping the linguistic landscape
for both the creator and the reader of a text.
The methodological potential and tasks of
anthropomorphic metaphor have not been
systematically studied in Uzbek linguistics. While
metaphor is multifaceted and can be a subject of
research for all fields, metaphors which are
significant for scientific, popular scientific,
journalistic, and conversational styles are formed
through text and communication in artistic style.
Therefore, it is crucial to study them on a large scale
sociolinguistically, focusing on the process of
creation, formation, classification, levelling,
sectorisation, and the function of metaphors.
Human organs and other related phenomena may
cause subsequent migration. For instance, the term
'eye' initially represented the human organ of vision,
and later included other similar objects found in
nature, such as the eye of a ring, the eye of a needle,
the eye of a spring, etc. Until now, research dedicated
to the study of anthropomorphism in the Uzbek
language has hardly analysed scientific texts,
primarily focusing on literary texts. In order to fully
explore anthropomorphic metaphors and their
specific features, it is necessary to analyse texts of
different styles from a linguistic, sociolinguistic, and
linguacultural perspective.
Metaphors are as old as language itself. Its
scientific study began with the earliest theories of
linguistics and has today risen to the level of
metaphorology. As a separate component of
semiotics, studying the potential of language
expression, metaphor is one of the key issues in
linguaculturology, which investigates the
commonality of language and culture. It is also a
central topic in linguocognitology, which examines
the connection of language and knowledge, language
and ethnic thinking, as well as a significant subject in
ethnolinguistics, which studies culture, oratory and
speech culture, and artistic speech art. Therefore,
metaphor remains one of the main themes in poetics.
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