Environmental Concerns in Select Regional Novels Translated in
English
Shibani Basu Dubey
1
and Purnima Patel
2
1
Department of English, The Bhopal School of Social Sciences, Bhopal, India
2
Rani Durgawati Vishwavidyalaya, India
Keywords: Eco-Criticism, Environmental Justice, Eco-Consciousness, Sustainable Development
Abstract: Literature has the ability to portray environmental issues in order to raise awareness and provide appropriate
solutions to these concerns. At present environmental concerns are manifested in the unprecedented
degradation of the planet's biodiversity so understanding the gravity and urgency of the deepening climate
crisis is all the more important. Indian literature sheds light on the life-altering dangers of natural disasters
even before ‘ecocriticism’ as genres became part of our literary pursuits explores these issues in its work and
seeks to speak out for environmental protection, which plays an important role in protecting the environment.
In addition to locating the natural world in literary works, environmentalists advocate change. This shift is
being driven by the environmental justice movement, questioning the role of privilege in shaping
environmental ideologies. In India, the dynamics of rapid industrialization and technological development
have given rise to a wave of environmental justice movements such as Chipko Movement, Apiko Movement,
Bishnoi Movement, Silent Valley protests and Narmada Bachao Andolan. Works surrounding themes of
environmental protection and the environment are mainstream. Popular authors such as Amitav Ghosh,
Ramachandra Guha and Vandana Shiva have made a noteworthy contribution through their influential
writings. India also has a rich history of regional environmental literature. Unfortunately, the regional poets
and writers remain relatively obscure. These novels are limited to the original language and are rarely
translated. The research article proposes a study of environmental issues in the selected regional language
novels translated into English The Upheavel by Pundalik Naik, Dweep by Na D'Souza , The Book of a Hunter
by Mahasweta Devi and Gift in Green by Sarah Joseph.
1 INTRODUCTION
The word ‘eco’ has its origin grounded in the Greek
root of the word ‘oikos’ which etymologically means
household or earth and was coined by Ernst Haeckel
in 1866 and the word 'logy' from 'logos' which
translates to logical discourse. Ecology is the
scientific study of the relationships between living
organisms, including plants, animals, and
microorganisms, and their physical and biotic
environments. It seeks to understand how these
organisms interact with one another and with their
surroundings, as well as how these interactions
influence the distribution, abundance, and diversity of
life on Earth.
Arne Ness and George Sessions have discussed a
significant research article by Jelica Tosic to elucidate
on the attempts of ecocriticism to bring attention back
to acknowledging the well-being and growth of non-
human life forms on Earth and serve as a reminder of
their intrinsic value. Whether or not a means of gain
for humans, this intrinsic value is intimately tied to
the richness and diversity of life on planet Earth.
Human actions should be intentional and refrain from
diminishing this richness and diversity unless vital
needs necessitate such actions. While promoting the
growth of human life and culture, it's imperative to
acknowledge that a significant reduction in the human
population’s impact on nature, is essential for the
growth and sustenance of non-human life forms.
Presently, excessive human interference is leading to
fast and irreversible deterioration of nature,
necessitating policy alterations. These policy
changes, with profound impacts on economic,
technological, and ideological structures, have the
potential to create a vastly different future from the
current one. The core of this ideological shift lies in
the appreciation of life, departing from an
Dubey, S. and Patel, P.
Environmental Concerns in Select Regional Novels Translated in English.
DOI: 10.5220/0012532000003792
Paper published under CC license (CC BY-NC-ND 4.0)
In Proceedings of the 1st Pamir Transboundary Conference for Sustainable Societies (PAMIR 2023), pages 957-961
ISBN: 978-989-758-687-3
Proceedings Copyright © 2024 by SCITEPRESS Science and Technology Publications, Lda.
957
unsustainable pursuit of ever-increasing standards of
living.
2 LITERATURE REVIEW
The term ecocriticism was first coined by William
Rueckert in 1978 in his notable critical work
"Literature and Ecology: Experiments in
Ecocriticism”. In his work, Rückert states that
ecocriticism draws on environmental or ecological
values and uses them for research writing. In his book
“The Environmental Imagination”, ecocriticism is
defined as: “the study of the relationship between
literature and the environment in a spirit committed
to environmental practice” (Buel 430).
Cheryl Glotfelty the first professor of literature
and the environment was the pioneer of ecocriticism
in the United States of America. In her book The
Ecocriticism Reader (1996) she defined Ecocriticism
as -“The study of the relationship between literature
and physical environment. Just as Feminist Criticism
examines language and literature from a gender-
conscious- perspective, and Marxist Criticism brings
an awareness of modes of production and economic
class to literary studies”. This work offers a new
perspective to the global ecological crisis and paves a
way for scholars to view the intersection of literature,
culture and ecology from a fresh lens. Her work is a
widely read and cited source of ecocriticism since its
publication and serves as a foundational text for the
scholars of literature, environment and culture.
Grotfelty and Harold Fromm introduced
Rückert's work in their edition of The Ecocriticism
Reader: Landmark in Literary Ecology (1996), this
played a vital role in the emergence of ecocriticism
and its acceptance as a principle. Meanwhile,
Fredericko Waage wrote Teaching Environmental
Literature: Materials, Methods, Resources in 1985,
in which 19 scientists presented their knowledge
about the environment and its reflection in literature.
To further develop this theoretical perspective,
Harold Fromm organised a special session at the
MLA conference in 1991 titled Ecocriticism: The
Greetings of Literary Studies. Another important
event was the American Literature Association's
conference titled “American Nature Writing- New
Approaches.”
In 1992, at the annual meeting of the Western
Literary Association a new association was founded -
Association for the Study of Literature and the
Environment (ASLE). The main purpose of this
association is to support new nature writings,
traditional and to encourage innovative intellectual
approaches to environmental literature. It is
noteworthy that ecocriticism has developed almost
miraculously in the decades since its birth. Lawrence
Bull has been influential in the development of
ecocriticism, and his book The Environmental
Imagination: Thoreau, Nature Writing, and the
Formation of American Culture (1996) examines the
work of Henry David Thoreau through the lens of
ecocriticism.
He elaborates further on the early stages of
ecocriticism in The Future of Environmental
Criticism: Environmental Crisis and the Literary
Imagination (2005), seeing it as a "first wave" of the
criticism movement majorly focused writing
concerned with nature, ecology and the natural
history of planet Earth. This "first wave" formed the
basis of the "second wave" of ecocriticism, often also
referred to as revisionist ecocriticism. Second-wave
ecocritics were largely concerned with environmental
justice than their predecessors. His critique of the
social order evaluated urban planned cities and
regions, like the natural environment, to be on the
same pedestal in terms of seriousness (Buell 22).
Buell ultimately acknowledges that in the western
academic context, ecocriticism is often only treated as
environmental criticism (Buell 28).
Eco-critics exhort people to acknowledge the need
to alter their own behaviours and perspectives and
take the required steps to stop ecological deterioration
and advance environmental conservation at present.
Further, the author also expresses his view that the
study of literature must be combined with other
academic fields.
There are key elements that an ecocritic will
invariably encounter while conducting research.
These concepts would always be present when Eco
critically analyses a piece of literature, looking for
answers to questions arising from the theoretical
framework of ecocriticism in those texts. They are
“environmental” and “ecological citizenship,” “care
ethics ”or “the ethics of care” (which may or may not
be associated with ecological citizenship), and
“ecoliteracy” as a whole.
Ecocriticism is heavily influenced by Western
ideology, but is deeply rooted in ancient Indian
theories and texts. The terminology might have been
recent of about three-four decades ago, but the theme
has been ancient. Ancient Indian literature is full of
ideas about praising nature. In India, there has been a
history of nature worship since the Vedic era. A
people's collective poetic response to the wonder and
awe of existence is captured in the Rig Vedic hymns.
They are poetry that extols the earth’s beauty and the
forces that can be seen through nature's brilliant veil.
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God was worshipped in nature. The sun was revered
as a divinity. Indra, the rain god, was elevated to the
position of king. All the natural elements were
revered as deities, including the sea god Varun, the
wind god Vayu, the soil god Prithvi, the fire god
Agni, and the sky god Akash. In religion, even the
planets were given prominence. The Trinity
Brahma, Vishnu, and Maheshbecame increasingly
revered over time as the Creator, the Preserver, and
the Destroyer. Shiva is linked to scorpions, snakes,
and other insects. In addition to Narsimha (the lion),
Vishnu is also revered as a crocodile, fish, and turtle.
The gods of wealth Laxmi and Durga are represented
by the owl and Singh (the lion), respectively.
Indian classical texts, epics and Upanishads
include eco-friendly practices, care for nature,
reverence for nature, nourishment, and nature
conservation. Valmiki’s The Ramayan has a subtitle:
Book of Wilderness. Ram, who is supposed to be
Vishnu in human form, had a dynamic relationship
with nature throughout his exile there. His association
His connections with Hanuman (representing
monkeys), Jamvant (symbolising a bear), Marich
(associated with a deer), Laxman (linked to Sheshnag,
the serpent), Kakbhushund (correlating with a crow),
Garud (depicting a hawk), and Nandi illustrate the
deep bond between humans and their empathetic
understanding of animals' emotions. The concept of
wildlife preservation is an inherent part of Indian
culture. We are forbidden from destroying them
because we worship peepal, tulsi, bargad, awnla, and
use flowers, grass, leaves, belpatra, akauadhatura,
chandan, and many other things. The Panchtantra
teaches youngsters values and ethics via the use of
animal fables.
The writers of Indian English literature likewise
expressed a tremendous passion for nature and natural
objects. They accurately captured nature while
maintaining a keen awareness of it. When conveying
their ideas about the social environment, authors like
R. K. Narayan, Amitav Ghosh, Mulk Raj Anand, Raja
Rao, Kamala Markandaya, Ruskin Bond, Anita
Desai, Kiran Desai, and Indira Goswami have
referenced nature and its aspects.
Indian fiction, especially regional fiction, often
confronts political discourse in the context of
environmental degradation, suggesting that India
alone cannot influence the outcome of the crisis. The
novel chosen in my research article provides
perspective and engagement on the subject by
showing how closely related social and ecological
realities are.
The biggest problems in the environment, from
water pollution to global warming, from land and soil
degradation to human security and migration, arise
from the same human activities. Now looking at the
big problems of the environment, more and more
people are taking action to protect the environment
and telling others about environmental problems; A
large body of evidence shows the negative impact of
human activities on ecosystems.
Most recent literature deals with environmental
problems. Over the past decade, namely 2020,
cultural and environmental critics may ask why
writers have not engaged with themes of nature and
the environment. This shift in attention has had a huge
impact on the climate change discourse in literary
works, with the hopes of having a personal reaction
initiated thus helping create better environmental
awareness among the public, ultimately encouraging
better environmental policies and policies.
A masterpiece in Konkani, a novel written by
Pundalik N. Naik, Acchev was published in 1977, and
translated in English by Vidya Pai titled The
Upheaval. In this novel industrialization results in the
robbing the land of its precious flora and fauna.
Naik’s work effectively deals with the anxieties and
problems in the lives of poor peasants in India in
general and Goa in particular. In his article “Mining
Activity as a Self-invited Disaster of Man in The
Upheaval”, Akshay A.Yardi stated that, “The
Upheaval is a tragic story of a village by name
Kolamba. It has three veins running through. First, the
novel narrates the degradation of a society; second, it
shows the fall of a man due to his greed for wealth;
and the third, it speaks of the cultural degradation
too” (102). When the protagonist Pandari, decides to
work in the mine, the farmer's helplessness becomes
apparent as well as the culture of their indigenous
community is severely impacted as the mode of
occupation changes. But ultimately, we witness how
one wrong choice by Pandhari rooted in his appetite
for money, brings down annihilation on the family.
Pandhari was not the only one to work in the mill,
several other cultivators chose to work at the mines
for further diurnal stipend. These changes sluggishly
set in a vicious circle of events that take place in the
village. As the story proceeds, we see the villagers no
longer celebrate their traditional observances and
carnivals. Abu is an old man and worked for the well-
being of the people of the village. Savlo Master is an
academy school teacher in Kolamba. Both Abu and
Savlo Master are the companion- lights of culture and
good traditions for the villagers. But, the death of Abu
and the exit of Savlo master from the village of
Kolamba herald a series of further demeaning
incidents. The academy children are dragged on to
work at the mines and the womenfolk of the village
Environmental Concerns in Select Regional Novels Translated in English
959
fall prey to the lust of the directors at the mines. The
youngsters and adolescents take to alcohol
dependence and indulge in harlotry. Nanu and
Manuel are the two youthful enthusiasts who became
victims of the bad habits. Not only that we also see
how the women in the village lose their chastity.
Pundalik Naik has not only focused upon the impacts
of mining on human nature and culture but also upon
the environment.
N.A. D'Souza in her short story Dweepa, talks
about the transformation of farmers due to the
construction of irrigation systems. The novella, first
published as a weekly in 1970 and later translated
from Kannada to Hindi by Susheela Punitha, focuses
on the construction of the Linganamakki dam on the
Sharavathi river in Malnad district. The main issues
are the dissatisfaction of the government, its greed
and most importantly the result. Island / Dweepa has
seven episodes: Krithika, Rohini, Mrigashira,
Aridhraa, Punarvasu, Pushya and Aslesha. The hero
Ganapayya and his wife Nagaveni live a bad life and
feel discriminated against. This causes them to feel
bad towards others, become angry, and even
protective of themselves. The government bears full
responsibility for the untimely death and loss of
Ganapaya and his family. The government did not
immediately pay for his death and failed to take the
necessary measures in time to save their lives.
Kolleti Jaadalu was released in Telugu by
Akkineni Kutumbarao in 2020. Veteran feminist
rights activist and writer Vasanth Kannabiran has
skillfully translated the novel from Telugu. The story
describes the trials and tribulations of people who
continue their lives in Koleru, which is one of the
largest lakes in India, located in Andhra Pradesh.
Construction of Dams is one of the preeminent
reasons for the migration and dislocation of
population in India. The most targeted groups for this
cause are the tribal and Dalit communities, who live
in deep forests and alongside the rivers for
civilization of crops. In recent past, the rapid
developmental activities benefit the privileged few,
while the others bear the cost.
Byadhkhanda, published in the early 90s in
Bengali, is a novel that borrows its name from a
section of the epic poem Abhayamanga by
Mukundaram. Writer and activist Mahasweta Devi’s
writings always gave voice to the voiceless. The
English translation of Kabikankan Mukundaram
Chakrabarti's renowned medieval poem, is translated
to English as Book of the Hunter, by Mandira
Sengupta and Sagaree Sengupta. It is set in sixteenth-
century medieval Bengal and draws inspiration from
Chakrabarti’s life. The impact of settlements and the
clearance of woods on the indigenous peoples is also
depicted, in addition to the socio-political history of
the time especially the Shabars, one of the indigenous
hunter tribes. The awareness of the environment is
increased by narratives build by these books. The
novel covers topics of conservation and degradation,
of wildlife, marine life, pollution and global warming.
It follows the contrasting lives of two couples a
Brahman and a Shabar. The novel is a stark look at
the effect of unethical and unchecked urbanisation on
indigenous communities.
Aathi by Sarah Joseph who is a famous
Malayalam writer is a novel from an ecological
perspective. Translated in English as Gift in Green by
Valson Thampu. In the nocel, Aathi is portrayed as a
timeless village, in a setting that takes on an aura of
myth and mysticism. Within this village, people
coexist in idyllic harmony with the natural world.
However, this serenity is disrupted by the intrusion of
urban and commercial influences, even leading to
contamination of their aquatic environment. Yet, the
novel concludes on an optimistic note, illustrating the
triumph of enduring natural forces over the
encroachment of modern commercial interests.
Highlighting the issues faced by the people of Aathi,
Sarah Joseph attempts to present certain relevant
issues people face both locally and globally. It
challenges the anthropological perspective and
promotes ecological justice, asserting that other
species should be afforded equal rights and dignity.
The novel also addresses concerns related to global
water politics.
3 CONCLUSIONS
Environmental preservation has become a necessity
for the existence and sustenance of all living
creatures. Recent scientific discoveries are posing a
threat to the sustenance of the environment as well as
to all living creatures. Such concerns, very naturally,
have attracted the attention of critics. How to confront
and address such a situation is one of the primary
responsibilities of one and all. Litterateurs are no
exception to it. The regional novels The Upheaval by
Pundalik Naik, Dweep by N.A. D’Souza, The Book of
a Hunter by Mahasweta Devi and Gift in Green by
Sarah Joseph not only describe the hazards which
pose a threat to environment but also provide
probable solutions to these concerns. It also creates
awareness among the younger generation that they
may play their part in sustenance of the environment
by promoting critical thinking skills.
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REFERENCES
Buell, Lawrence. ‘The Environmental Imagination:
Thoureau, Nature Writing, and the Formation of
American Culture,’ Cambridge, MA: Havard
University Press, 1995.
Glotfetly Cheryll and Harold Fromm (eds). The
Ecocriticism Reader: Landmarks in Literary Ecology.
Athens GA and London: University of Georgia Press.
1996.
Pachkawade, Darshana. “Deep Ecological Reading of
Mahasweta Devi’s The Book of Hunter:An
Ecoconscious Approach.”IAFOR Journal of Arts and
Humanities, vol.8 issue 1,2021,pp.73-81.
Pandey, Abha “An Eco-critical Study of Indian English
Poetry.” Langlit-An International Peer-reviewed Open
Access Journal, vol. 3, issue 3, Feb 2017, pp. 129-134.
Yardi,Akshay A. “Mining Activity as a Self-invited
Disaster of Man in The Upheaval.” Epitome
journals.vol.2, issue 11, Nov 2016, pp.101-108.
https://literariness.org/2016/11/27/ecocriticism
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