Figure 7: Example of a filter circuit using active
compensation from (Mohan, 2013).
The transfer function of this filter is given by
)1(1
1
)(
1
2
21
2
2
2
1
2
R
R
BB
s
B
s
B
s
R
R
sH
+++
+
−=
where R
1
and R
2
are the resistor values and B
1
and B
2
denote the unity gain bandwidths of the OPAMS.
4 CONCLUSIONS
Auditory filterbanks to simulate the cochlea have a
long history dating back to the 1950
th
. This article
presents an algorithm to derive transfer functions for
an auditory filterbank from experimental tuning
curves. Based on experimental data, tuning curves
were mathematically modelled and after some
transformations the coefficients of the transfer
function can be determined and be realized either in
analogue or digital filters.
Apart from the analysis of sound, such models can
also provide useful insights for students in the field of
auditory physiology i.e. to simulate patients’ hearing
loss. Such a system has actually been realized by
means of digital filters (Hohenberg et al., 2016).
This approach has also its limitations. It is based
on the assumption that tuning curves and frequency-
to-place transformation in the cochlea can be
modelled by a simple exponential approach. We also
assumed that the shape of the tuning curves does not
change. However, as Lyon et al., (2010) have pointed
out, physiological data show a filter shape
asymmetry. Finally this approach only models the
passive part of the cochlea. However there is also an
active back coupling which is not part of this
algorithm and has to be integrated by means of
positive feedback loop circuits (Ostermann, 2002;
Katsiamis et al., 2009; Elliott and Shera, 2012). Thus,
more extensive experimental analysis is needed to
validate the proposed algorithm.
However, if data can be modelled like in the
present article, this algorithm can be a part of a
straight forward approach to establish an auditory
filterbank.
ACKNOWLEDGEMENT
I would like to thank Roland Zieke, University of
Osnabrück, Germany for his support in this project.
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