systematically and continuously. In addition,
through critical reflection, students can develop their
aptitude, skills, and habits. Therefore, self-awareness
was the effectiveness of learning (Barrett, 2005).
The process of learning e-Portfolios product is the
complex processes of planning, synthesising,
sharing, discussing, reflecting, giving, receiving and
responding to feedback (Joyes et al., 2010).
2.3 Aesthetic Literacy and e-Portfolios
Aesthetic literacy is the meaningful response to
reading experiences and explanations, particularly
regarding print, images, and sounds (Clinard and
Foster 1998). The content of aesthetic literacy is
extended through writing, and is a distinctive
communicative language that includes verbal
expressions, music, kinesthesia, and vision.
Moreover, the processes of reading and writing are
not limited to the writing of the text but also include
the responses and communications of various artistic
activities. Thus, Clinard and Foster proposed the
Montana Framework for Aesthetic Literacy to
understand the content of visual, literary, and
performing arts. Furthermore, aesthetic literacy is
not used to cultivate professional artists, but is
instead meant to free students’ imagination and,
thus, enable them to possess the ability of narrating
and expressing their personal experiences of
aesthetic (arts) encounters (Greene, 1995).
3 RESEARCH METHODOLOGY
This paper adopted the existing reflection scale
(Kember et al., 1999; 2000) and aesthetic literacy
scale (Zhang, 2011; Cheng et al., 2011) in order to
explore the impact of e-portfolio on relatiionship
between reflection and aesthetic literacy. In termes
of the aesthetic literacy scale was only recently
developed and has not yet been applied by scholar.
The participants of this research were 1,277 first
year university students in Taiwan. This paper
employed a reflection scale, aesthetic literacy scale,
and group questions regarding the three topics of 29
questions were developed through a questionnaire
survey of the variables of participation in e-portfolio
competitions, gender, and years of e-portfolio use.
There were 1,189 valid sample, and the Cronbach’s
α for the reliability of the total scale was 0.839.
Excluding the three basic group questions, the
Cronbach’s α for the reliability of the 26 questions
in the two scales was 0.852. This indicates that the
stability of the scales was acceptable.
3.1 Reliability and Validity of the
Reflection Scale
Table1 shows that the results of this research are
nearly identical to those of the Kember scale
regarding the reliability of the scale dimension.
Excluding the reflection dimension, the Cronbach’s
α of this research exceeded that of the original scale
by 0.104. The values of the other dimensions were
0.004 to 0.015 lower. Additionally, the total α
coefficient of the reflection scale used for this
research was 0.795. Thus, the stability of the
reflection scale was acceptable.
Table 1: The Cronbach’s α value for dimensions of the
scale.
Scale
dimension
*Cronbach’s
α of the
original scale
Cronbach’s α
of the reflection
scale in this
research
Habitual &
action
0.621 0.617
Understanding 0.757 0.744
Reflection 0.631 0.735
Critical 0.675 0.660
Reflective
thinking
0.850 0.820
Total 0.795
*Based on Kember et al., ( 2000) and Zhang, 2011; Cheng et
al., 2011
The validity of the reflection scale used in this
research was based on the content validity,
confirmatory factor analysis, and construct validity
of the original scale (Kember et al., 2000, Wu,
1985).
The reliability results of this research were
nearly identical to those of the total scale developed
by Cheng et al. The Cronbach's α value of this
research was 0.820, slightly lower than that of the
original scale (0.030). However, the reliability of the
two versions of the scale reached an equal standard.
Therefore, the stability of the aesthetic literacy scale
used in this research was acceptable (Table2).
The validity of the aesthetic literacy scale used in
this research was based on the content validity,
confirmatory factor analysis, and construct validity
of the original scale (Wu, 1985; Zhang, 2011; Cheng
et al., 2011) Therefore, the research inferred that the
reliability and validity of the reflection and aesthetic
literacy scales used in this research exceeded the
standard, and the acquired data were worth
considering.