2 INCORPORATING
SELF-ASSESSMENT AND
REFLECTION AND ITS
CONNECTION WITH
PORTFOLIOS
2.1 Self-assessment and Reflection
Self-assessment research has been going since the
1950s and originated within the field of Social and
Clinical Psychology (Hilgers, Hussey, & Stitt-
Bergh, 2000). The two key concepts embedded in
the notion of self-assessment are self-observation
and self-monitoring. Self-monitoring, the parent of
self-assessment, provides individuals with internal
feedback which allows them to compare the current
level of behavior with some well-recognized social
standard (Kanfer, 1975). This feedback comes
partially from observation and evaluation, which
have been shown to be key processes in affecting
change with deep-seated human behaviors (Bellack,
Rozensky & Schwartz, 1974; Cavior & Marabott,
1976).
In writing research, studies on self-assessment,
which is sometimes referred to as revision within the
writing process, began to receive attention in the late
1970s when the Flower and Hayes (1981a) model of
the composing process permeated composition
studies. This was also the exact period when
cognitivism was in vogue. The view of self-
monitoring, which belongs to the domain of
behaviorism, was out of fashion. Hence, studies of
self-monitoring were gradually replaced by studies
focusing on writing coping strategies and their
effects (Flower and Hayes, 1981b; Hayes, Flower,
Schriver, Stratman, & Carey, 1987). According to
the Flower and Hayes’s (1981a) model, revision is
one component of the cognitive writing process, and
modifying writing strategies or texts is due to the
constant evaluation and reevaluation of the text.
Nevertheless, in the 1996, Hayes proposed that a
new framework for understanding cognition and
affect in writing was needed. In Hayes’s new model,
revision was reorganized and subsumed under a new
category, reflection, which is a function that requires
writers to problem-solve and make decisions (Hayes,
1996).
In the 1990s, social constructivist theory
made it clear that all behaviors are influenced in one
way or another by the social contexts in which they
are situated (Bruffee, 1984; Grabe & Kaplan, 1996).
However, from a behaviorist or cognitivist
perspective, self-assessment is viewed as a set of
isolated acts. This view does not take into account
how individuals acquire self-assessment strategies
and under what circumstances they make use of
socially contextualized criteria to self-evaluate their
own work (Hilgers, Hussey, & Stitt-Bergh, 2000).
Consequently, studies of self-assessment that
adopted a behaviorist or cognitivist perspective have
been unable to identify ways that an individual’s
self-assessment practices could be made more
effective, thus helping an individual become a better
writer who can actively engage in the composing
process. Therefore, more research is needed on how
novice writers in an EFL context adopt self-
assessment and its impact on their writing
development.
2.2 Writing Portfolios
Since the 1990s, writing portfolios have been widely
adopted as either a large-scale writing assessment or
classroom-based assessment in various teaching
contexts in the United States. Part of the appeal for
using writing portfolios is the component of
reflection, which helps students think about what
they have achieved throughout the process of
writing individual pieces as well as the overall
portfolio construction (Hamp-Lyons & Condon,
2000; Weigle, 2002; Yancey, 1998; Yancey &
Weiser, 1997). Within Hamp-Lyons and Condon’s
(2000) theoretical framework of portfolio
assessment, the terms reflection and self-
assessment are used interchangeably although
Broadfoot (2007) argued that they do not mean the
same thing. These two terms also suggest that
students will revisit their early and interim drafts to
reflect upon their effort and progress throughout the
course of writing. For example, when teachers adopt
a showcase portfolio approach, students are usually
asked to review all papers and drafts and then select
the best ones either for display (e.g. to a future
employer) or for summative grading. Self-
assessment, as defined by Hamp-Lyons and Condon,
can help students better understand what they are
expected to compose as well as explore their own
strengths and weaknesses in writing in order to make
further improvement.
Portfolio assessment, therefore, has the potential
to create positive washback on students’ writing
(Biggs & Tang, 2003; Hughes, 2003). Traditionally,
students have been asked to write in a “one-draft,
one-reader” context (Arndt, 1993). Having received
a grade and minimal feedback from the teacher,
students may make corrections on their drafts. After
that, the learning process is supposedly finished and