combinations), and b) degree of quality of a routine
(manner of execution of elements in a routine,
synchronicity with music, total number of performed
errors…).
Determinants of competitive performance in
rhythmic gymnastics were analyzed by Bobo-Arce,
M., Méndez-Rial, B. (2013), groups routines of elite
rhythmic gymnastics Ávila-Carvalho L, Palomero M,
Da L, Lebre E. (2009), about the importance of the
"technical evolution" aspect Buarque Maag. (2003),
then feedback in rhythmic gymnastics as a process of
correcting technical mistakes Cristina-Elena M. Sport
& Society (2012) etc.
When executing elements, every gymnast has to
abide by the rules of execution, on which the height
of the score for technical value is dependant.
Common parameters on which the height of the score
relies are proper posture, movement amplitude,
balance control, controlled execution of footsteps...
Besides that, all elements executed with the body
must be performed without breaks, with constant
exchanges of contraction and relaxation, with a close
connection between dynamics, amplitude and speed
of execution, in harmony with the rhythm and tempo
of music. At the same time, they need to be executed
simultaneously with the whole body, including the
head and hands, which means that there should be no
isolated muscle groups.
For the purposes of this research, experts analized
108 elements which display a representative sample
of entities. Goal of this research was to conduct an
kinesiological analysis of elements of rhythmic
gymnastics. Because of a quantitative objective
analysis of technique elements, a new measuring
instrument needs to be assembled, and measuring
characteristics determined (reliability analysis and
factor validity). Description of analysed entities will
be executed with a mathemathical-statistical procedu-
re. For the purpose of differentiating of hypothetical
groups, descriptive biomechanical and functional
characteristics (criteria on which the groups should
significantly differ), have been set in advance.
2 METHODS
2.1 Sample of Entities
Sample of entities in this research consists of
mandatory elements of techniques of body
movements without apparatus in rhythmic
gymnastics. The research was conducted on a sample
that is comprised from 108 elements, from total of
132 elements of A and B score. Elements that form a
sample of entities have been chosen from the official
Code of Points (Rulebook of rhythmic gymnastics),
published by International gymnastics federation
(FIG), in the year 1997. Elements for which the
experts of rhythmic gymnastics agreed that are the
most used when assembling a free composition were
chosen. During the evaluation of execution of
technique of elements, it is important to be familliar
with all existing groups of elements of body
movement, which can be executed in different
directions, in every axis, interconnected with
footsteps or no, with one or both leg support, but,
during the whole execution, they need to be
connected with movement of arms.
With regard that elements which are sorted in the
group of other elements, are those that are used when
interconnecting basic elements, and in this research
they are not included in the sample of entities. All
analysed elements from basic groups are, according
to the Rulebook, divided into four groups and contain
the following characteristics( characteristics of
elements are listed in the Code of Points, 1997):
JUMPS (high takeoff and good height during flight,
defined and fixed form during the flight, large
amplitude during the flight phase), BALANCE
(executed on tip of toes, held for atleast one second,
defined and observable shape, satisfying amplitude in
forming of balance), PIROUETTES (executed on tip
of toes, held and defined shape during and when
finishing rotations, large amplitude of movement),
FLEXIBILITY / WAVES (MOBILITY)( executed on
one or both feet. or other parts of the body, well
defined and held form, large movement amplitude).
Rhythmic gymnastics elements are natural forms of
movement, as are their variations, and they are
formed in a way to meet the term of aesthetically
designed movements. Requirements during the
execution of elements of rhythmic gymnastics are
subordinated to anatomical constitution of the female
body, as to incorporate an aesthetic component during
their execution.
Every group of elements in rhythmic gymnastics
has specific phases. First phase is the so called
preparation phase, which can be achieved through a
running start, lunge, descending into a squat, or from
a static position. As many of the elements in a routine
are executed after a formerly executed element,
which can be different, way of preparation varies.
Because of that, elements executed with the body are
descriped without a preparation phase. That way,
every element, regardless of which group it belongs
and the most characteristic preparation phase, is
described starting from the standing position and not
from movement. In that way, the experts can more