Figure 1: Yogyakarta batik museum.
Figure 1 shows the front view of Yogyakarta
Batik Museum. Even though there are renovations for
the building, yet there is no significant changes
besides the color of the building is repainted every
two year.
Since it was established, Yogyakarta Batik
Museum have vision and mission to preserve the
technique and other knowledge about batik, also
documented batik motives. The museum is open for
public as a place to provide services and consultation
toward society pertaining to batik. The museum also
opened for any partnership as long as it is aimed to
preserve batik. By the UNESCO decision on the
enactment of batik as world cultural heritage in 2001
and the appointment of Yogyakarta as the City of
Batik by WCC in 2014, Yogyakarta Batik Museum
fully support efforts to preserve the authentic batik
arts.
It is very easy to reach the museum. Yogyakarta
Batik Museum is located in the middle of settlements
along the DrSutomo Street, Danurejan, Yogyakarta
City. It takes only 5 minutes from Lempuyangan
Station by motorcycle. The atmosphere along the way
is very interesting, since there are plenty of places to
eat and rest, start from restaurants and hotels with
cheap prices. However, the means and infrastructure
is still not enough to support the development of
tourism destination at this museum. The old building
of museum makes it seems not interesting to be
visited.
We need to encourage community’s awareness for
the development of Yogyakarta Batik Museum. They
suppose to aware, responsible, and actively involve to
the efforts regarding to achieve the goal of tourism
development by mobilizing attitudes and behavior as
the host through the value of patriotism and concern
on their ancestors’ cultural heritage. Indeed, it needs
partnership between museum management, Office of
Culture and Tourism, and community around the
museum so that tourists will feel more comfortable
and it can also increase the number of tourists, efforts
in museum’s development will be effective if it can
be done collectively.
From the physical aspects, Yogyakarta Batik
Museum categorized as non-natural resources
destination with cultural potential which is batik.
According to Law No 10/2009, tourism attraction is
“anything that posses uniqueness, beauty, and value
in the form of natural diversity, culture, and the result
of man-made with the objective to be visited by
tourists.” Tourism attraction is something that has
appeal to seen and enjoyed that have feasibility for
market interest.
The legislation also stipulates that at least there
are four elements of tourism product or destination:
attraction, accessibility, amenities, and ancillary or
commonly known as 4A Tourism. Development of
tourism destinations at the level of the land site at
least take into account to those four key points.
The problem faced by Yogyakarta Batik Museum
is a classic problem that actually also faced by most
of museums in Indonesia. Private museum tend to be
passive in regards to its development since they
cannot utilize government’s budget which is limited
to the responsibility of maintenance and storage of
cultural and nation’s identity collections. Therefore,
there is impression from visitors that the museum
looks boring and it also answer the question why
museum always seemed empty.
Yogyakarta Batik Museum has documented the
history of batik which is the original culture of
Indonesia. As the one and only museum of batik in
Indonesia, it can be very potential. However, the
appeal has not been managed optimally as a result
people are not attracted to visit the museum. The
strategic role of Yogyakarta Batik Museum as a
cultural tourism destination should be realized by the
government, museum’s managers, and citizen. To
uphold the role of Yogyakarta Batik Museum as the
cultural destination, there are some efforts to develop
strategic plans that can uphold the sustainability of
tourism in Yogyakarta itself.
According to aforementioned problems, this
paper tries to explore formulation of ideas or concepts
in the development of cultural tourist destinations
based on Yogyakarta Batik Museum, studied with
SWOT (strengths, weaknesses, opportunities, and
threats) analysis.
2 RESEARCH METHODS
The type of research used in this research is
descriptive qualitative with SWOT analysis chosen to
collect the data and discuss the concept of Yogyakarta
The Development of a Cultural Tourism in Batik Museum of Yogyakarta by a SWOT Analysis
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