n.d.) is more firmly revealed that cultural literacy is
a core or heart of knowledge that affects one's
academic prowess. Triumph and success are
determined by the ability of cultural literacy.
Cultural literacy is a material and a learning process
that is directly or indirectly taught by educators in
the classroom or outside of Class (Gaitan, 2012).
Delgado (Ford, 2007; Gaitan, 2012; Papers, 2015)
provides an explanation that educators are cultural
agents in many ways displaying a variety of
knowledge, values, attitudes and behaviors from a
diverse perspective, both from themselves and for a
particular cultural standpoint. This explanation
signals that educators ' cultural literacy skills will
affect students ' cultural literacy and will directly
impact their academic skills and academic
outcomes.
Cultural literacy is a part of the culture itself.
Cultural literacy is a special culture (Peng, 2017). In
general, people have cultural literacy from their own
culture and when dealing with other cultural
situations or cultures that are considered global,
people should have other cultural literacy
skills(Arthur, 1990; Helu-thaman, n.d.). Cultural
Literacy provides an opportunity for people to learn
about the cultural situation in various contexts such
as Indonesia's maritime culture. Maritime culture is
part of the context of Indonesian nation and country
that has existed since the first, aside from an
agrarian culture.
Maritime culture literacy is a person's skill in
understanding, processing and using the knowledge,
values, attitudes and behaviors and material products
of maritime culture. Yunandarstudied various
studies on maritime culture that gave one view that
maritime culture is a very complex
phenomenon(Yunandar,2018). There are five
perspectives of maritime culture that can be used as
discussion material. The five phenomena include (1)
Ethnic maritime social groups, (2) social categories
based on maritime Business (Occupation), (3) Social
categories based on economic actors, (4) Social
categories based on social hierarchy and (5) Social
categories based on the way and technology used.
The first phenomenon shows that maritime culture
portrays the maritime governance of a particular
ethnicity, such as the ethnic group of Bugis,
Makasar, Mandar, Madura, and Bajo fishermen.
These ethnic groups each have specific knowledge,
values, attitudes and behaviors and cultural products
in the context of maritime area management. The
second phenomenon illustrates the social categories
of maritime society based on its work, such as
fishermen community groups, sailor groups, mining
workers groups, transportation service workers and
marine security workers groups. The third
phenomenon is related to social groups based on
maritime Comastia or related to economic
endeavors, for example there is a group of boat
makers and fishing equipment, fishermen, fish
entrepreneurs, moneymaking, cooperatives, banks,
safeguards Maritime social institutions and
government officials in the maritime region. The
fourth phenomenon illustrates the social category
based on its hirarcate such as the social group of
boat owners and crew members, fish vendors and
the town, the Tripang Diver group, the Marine
Sports Group. The fifth phenomenon is linked to
traditional fishing social groups and modern fishing
fishermen, a group of rumpon fishermen. The
maritime social group has knowledge, values
(including beliefs), attitudes and behaviors in
understanding, processing and utilizing marine
resources. Each social group has different maritime
cultural characteristics.
Maritime culture Literacy describes a description
of complex skills in knowledge, beliefs, customs,
attitudes towards the sea resources, how to interact,
the selection and use of technology, attitudes
towards the life understanding of natural conditions
and natural symptoms at sea. That's a complex
overview of maritime cultural literacy. Including in
maritime cultural literacy is an understanding of the
history of Indonesia while still in the form of a
kingdom that has a strong maritime cultural
character and makes the archipelago as the world's
maritime axis. The historical literacy of maritime
cultures needs to be studied, excavated and
described clearly and meaningfully so that it can be
a very important literacy material to restore
Indonesia's nation and state as the world's maritime
axis.
3 METHODOLOGY
3.1 Design and context
The study uses a phenomenological case study
method that is oriented towards the study of the
maritime Cultural literacy phenomenon occurring in
the fishermen communities of the Thousand Islands,
especially on Untungjawa Island. Manen gives the
understanding that the main objective of the
phenomenological is developing critical pedagogical
skills in understanding and studying the
phenomenon in various context events (Khan,
2016). The phenomenon that is the main focus of
ICELS 2019 - International Conference on Education, Language, and Society
170