Desa Sioban Tato Tradition Policy in Preservation in Mentawai
Refni Yulia
1
, Zulfa
1
, Kaksim
1
, Hendra Naldi
2
1
STKIP PGRI Sumatera Barat,Prodi Pendidikan Sejarah, Padang, Indonesia
2
Universitas Negeri Padang, Indonesia
Keywords: Policy, Tattoo, Tradition, Preservation
Abstract: The tattoo tradition is extinct in the village of Sioban, which makes this tradition no longer exist.
The purpose of this study was to determine the traditional tattoo policy of Sioban Village in
preservation in the Mentawai. The method of this research is qualitative research with a historical
and ethnographic approach. The results of this study indicate that the local government of Sioban
village, Mentawai district has a policy in terms of preserving the Mentawai tattoo tradition. the
wisdom of the local government in preserving the tradition of tattoos in the Mentawai are: 1.
Conducting Mentawai tattoo batik training, 2. Becoming a facilitator for the tattoo batik group in
developing a home industry, 3. Becoming a mediator in developing cultural traditions as a
potential to get Mentawai district government funding, 4. Working closely with dance studios in
Sioban village, 5. Participate in the Mentawai Enchantment Festival every year. Supporting the
preservation of tradition in Sioban village are 1. Government and 2. Cultural Community.
Inhibiting factors in the application of cultural traditions are: 1. Modernization, 2. Lack of
interest in young people in learning the Sabulungan tradition by using Mentawai tattoos.
1 INTRODUCTION
Law Number 32 of 2004 contains Regional
Governments which give birth to various
implications including social changes that give birth
to opportunities for regions to rise up in developing
regional potential. Development of regional
potential which is an integral part of Indonesian
society. This condition is based on an understanding
of the diversity of tribes, religions and cultures
spread throughout the archipelago, each region has a
different culture that is characteristic of their
respective regions. Culture is a national identity, the
characteristics of a nation, national character or as a
sign that the country has a life history from the
beginning of a country that can be formed. Culture is
a symbol of pride for a particular society and even
determines the progress of a country. In preserving
culture is closely related to what has been aspired to
by the independence of this nation, namely the ideals
of "intellectualizing the life of the nation", in this
case, is not a meaning based on the concept of
science and technology or a social concept, but a
cultural conception. Educating the life of the nation
is an effort to increase the level of national culture,
as a process of humanization to elevate the dignity
and degree of people from the nation. One part of
culture is traditional art. Traditional arts have great
weight in culture. The progress of the nation's
culture and its civilization brings it together, and
reciprocally brought along, by the advancement of
art. The art of tradition is also a means used to
express the sense of beauty in the human soul. In
addition to expressing a sense of beauty in the
human soul, art also has other functions Abdullah
Irwan, (2006), This is related to tattoos which are
part of the Arat Sabulungan tradition ritual. Tattoos
are part of the Mentawai community that can carry
on customs and cultural values as part of inheritance.
Since 1954 tattoos have been banned by the central
government (Yulia, R., Zulfa, Z., & Naldi, H. 2018).
The process of tattoo extinction which is part of
the ritual art of Arat Sabulungan, is caused by
various things. The roots of all traditional Mentawai
cultures are Arat Sabulungan, which is used as a
guide for the Mentawai community. But in 1954,
Arat Sabulungan was abolished from the Mentawai
Islands, especially in the Sioban Village, Sipora
Selatan District and all the ceremonial equipment
was destroyed by the police. As for arat sabulungan,
402
Yulia, R., Zulfa, ., Kaksim, . and Naldi, H.
Desa Sioban Tato Tradition Policy in Preservation in Mentawai.
DOI: 10.5220/0008999604020407
In Proceedings of the International Conference on Education, Language and Society (ICELS 2019), pages 402-407
ISBN: 978-989-758-405-3
Copyright
c
2020 by SCITEPRESS Science and Technology Publications, Lda. All rights reserved
in its ritual there are tattoos that are almost extinct.
The condition of the Mentawai traditional culture by
itself was shaky, everything related to Arat
Sabulungan was tattooed, evicted. The external
cultural pressure driven by the government, to
eliminate Arat Sabulungan, was caused by the
opinion that the indigenous Mentawai customs
hampered the development process that was being
promoted by the government at that time (Yulia, R.,
Zulfa, Z., & Naldi, H. 2018).
The Mentawai people have their own unique
culture of various ethnic groups in Sumatra. The
uniqueness of the Mentawai island absorbs the
attention of observers and national and international
institutions. One of the real indications can be
known by the enumeration of skin or tattoos on the
whole body, with motifs consisting of simple
geometrical lines that cross across various parts of
the body and end with curve lines on both cheeks on
the face.
The tattoo tradition is found in various ethnic
groups in Indonesia such as the Mentawai ethnic
group in West Sumatra Province, Dayak ethnic in
Kalimantan, and Sumba ethnic in NTB. Each of
these ethnicities has its own characteristics in the art
of tattoos and has a different view of the meaning of
a tattoo, although there are few similarities in the
function and how to make it. The tattoo tradition has
long been known by the Mentawai people since their
ancestors were still alive. According to Ady Rosa, a
Mentawai tattoo researcher that the tattoo tradition
in the Mentawai islands appeared in the metal age
1500 BC-500 BC. This tradition is inherited by their
ancestors from generation to generation.
The position of the tattoo is governed by the
beliefs of the Mentawai tribe, '' Arat Sabulungan ''.
This term comes from the word sa (se) or group, as
well as bulungan or leaves. A collection of leaves is
arranged in a circle made of palm shoots or thatch,
which is believed to have magical or knit energy.
The process of making Mentawai tattoos goes
through the ritual process, and takes a long time.
Before carrying out the tattoo, a traditional
ceremony called "punen kepa" was held which was a
"bulepak" event, with the aim of getting rid of evil
influences and the threat of bloodshed against the
villages they inhabited. After the event was finished
then the tattoo was held.
For the Mentawai people, tattoos are the spirit of
life. Tato has four positions in the Mentawai
community, one of which is to show identity and
differences in social or professional status. Tattoo
shaman sikerei, for example, is different from tattoo
hunting experts. Hunting experts are known through
pictures of their catches, such as pigs, deer, apes,
birds, or crocodiles. Sikerei is known from the star
tattoo that is bald on his body. In addition tattoos
also have a function as a symbol of natural balance.
Therefore objects such as stone, animals, and plants
must be enshrined on the body. But in its
development in the Mentawai archipelago,
especially in Sioban Village, Sipora Selatan District,
the meaning and function of traditional Mentawai
tattoos underwent a change or expansion of
meaning, so the existence of tattoos in Sioban
Village, Sipora Selatan District was threatened with
extinction. The process of tattoo extinction which is
a ritual art of Arat Sabulungan, is caused by many
things. Extinction of tattoos in Sioban village needs
to be improved by village policies or regulations in
preservation in the Mentawai (Yulia, R., Zulfa, Z., &
Naldi, H, 2019).
2 RESEARCH METHODS
This research used qualitative Method with
Ethnographic and Historical approach. There are
several steps taken to collect the required research
data. The first step in this research is to
identification the research problem, the second step
traces the previous studies that are relevant to the
object of research. Literature study is also one of the
stages in this research in order to find concepts,
theories and information that are based on the
research theme. The next stage is conducting
research in the field, namely: 1. Conduct
observations or direct observations. Observations
were made to systematically look at the cultural
activities that exist in the Mentawai community in
Mentawai district. besides, observations look at
everyday people's lives and facts about the object of
research. 2. Conduct interviews with informants.
The selection of informants refers to the concept of
Spradley (2018:69) whose principle requires that an
informant must understand the culture needed.
Informants can explain the purpose of the study into
consideration. Cultural actors (traditional leaders),
government, academics, and artists became key
informants in this study.
3 RESULTS AND DISCUSSION
Tattooing is one aspect of the cultural part that has
great potential in the development of culture and
tourism in an area. The success of the preservation
Desa Sioban Tato Tradition Policy in Preservation in Mentawai
403
of traditional arts of a region is largely determined
by the ability of the local government to formulate
programs and policies for the preservation of
traditional arts which will later be carried out by
local government officials along with community
groups in the village of Sioban. Local government
policies in preserving traditional arts in Sioban
village by implementing policies in the context of
preserving traditional arts. This does not go easily as
expected. The Sioban village government will be
challenged as an obstacle to its duties and functions
in order to preserve traditional arts, but on the other
hand the Sioban village government also has several
supporting factors to carry out its duties and
functions in the context of preserving traditional
arts.
The policies (government activities) of Sioban
village in order to preserve (care for, protect,
develop) traditional tattoo art are as follows: 1.
Implementation of Mentawai tattoo batik art
development. This collaborated with the village of
Sioban and the Sioban sub-district office as part of
carrying out group development in Sioban village.
The development of art groups was carried out in the
form of cadres carried out by Sioban village with a
group of Simatorai Monga art studios in the village
of Sioban. This art studio which has implemented
cadre will be given facilities by the service of culture
and tourism, facilities provided in the form of
facilities and infrastructure (traditional clothes,
traditional musical instruments). In addition to the
facilities, in terms of mentoring the Mentawai
district cultural and tourism agency, it also helps art
groups in Mentawai regency to be active and
participate in activities and events organized by the
government and non-government, the program also
helps introduce art groups to the wider community
both inside and outside the Mentawai district and
promoting the traditional traditional arts of the
Mentawai tradition. 2. Working with art groups in
the Mentawai district. The Culture and Tourism
Office of the Arts section uses media from art
studios / groups in Mentawai district to work
together in preserving traditional arts. One way is to
activate these art groups in activities or events
organized by the Government such as the Mentawai
Festival which has been running for 4 years. 3. The
government becomes a facilitator (facilities /
infrastructure) in the preservation of traditional arts
activities in the Mentawai district. One way to
support the preservation of traditional arts, namely
from the Office of Culture and Tourism, provides
facilities for traditional arts groups and organizations
to carry out their activities in the context of
conservation. Facilities are not in the form of funds
(money) but in the form of facilities and
infrastructure such as traditional clothes, musical
instruments, and others. 4. The government becomes
a Mediator for the Community to get financial
assistance from Non-Government Agencies in the
context of preserving traditional arts. The
government has a policy that is to help people who
want to develop the potential of tourism in the
Mentawai district in the field of traditional arts
which is increasingly being improved. The
Department of Culture and Tourism directs each
sub-district and village in Mentawai district to carry
out tourism community development, coaching in
the form of teaching the community to develop
tourism potential in each sub-district and making
Madobak, Matotonan, and Mapejat villages as
tourist villages . 5. Hold regular art performances.
The Culture and Tourism Agency also conducts
regular events in the form of typical Makassar art
performances and groups of art groups scattered in
Mentawai district as performers wherever invited.
Routine events such as the Mentawai festival are
held in collaboration with other agencies, namely
non-governmental institutions in order to preserve
traditional arts, especially the tradition of Tato. From
the results of research conducted in terms of
carrying out the preservation of traditional arts, there
are several factors that support these conservation
activities including:
A. Government.
One of the supporting factors that greatly
influences the preservation of regional arts is the
role of the central and regional governments. The
district government involves and invites the local
community in an effort to preserve cultural arts and
the development of cultural tourism. The
government provides equal opportunities to the
community and the local cultural arts community to
participate in the management and development of
cultural tourism. So that the local community not
only can improve their welfare but indirectly the
community is also involved in efforts to preserve the
Mentawai traditional arts. One form of support from
the government for various traditional arts groups
can be done by involving art workers in data
collection, inventory, documentation, development
of Mentawai traditional cultural arts. Indonesia is
very interested in maintaining and preserving
various traditional cultural arts so that they can
continue to be enjoyed by the next generation, there
needs to be a series of planned, comprehensive and
integrated policies from the central and regional
ICELS 2019 - International Conference on Education, Language, and Society
404
governments to protect traditional cultural arts from
the threat of extinction.
B. Society.
Humans who have a close relationship with
culture, as well as to preserve human culture plays
an important role. Because, humans who create
culture, and humans also have to maintain, maintain
and preserve the Mentawai culture. One element of
culture is traditional art. The Indonesian people were
awarded a large number of traditional types, both art
and performing arts, but there were also many
problems faced with regard to this valuable
inheritance. One characteristic of advanced society
is its ability to save and preserve the Mentawai
traditional arts. Indonesia as a nation that is blessed
with so many types of traditional arts should be very
concerned with the efforts to save and preserve the
Mentawai culture.
From the results of research carried out in terms
of carrying out the preservation of traditional arts,
there are several challenges that become factors that
inhibit the preservation of traditional arts activities
including:
1. The presidential instruction of the Republic of
Indonesia Number 16 of 2005 concerning
cultural and tourism development policies
confirms that local governments take concrete
steps to optimize the acceleration of cultural and
tourism development in an effort not only to
preserve but also to prosper the public, open
employment, and equalize development. But in
the present context where mindset and
modernization continue to develop, the culture
and art of tradition that once existed and grew in
the community are increasingly marginalized,
even clashing with the understanding of
changing society. Mentawai Regency is
inseparable from the name of modernization.
These factors are usually the inhibiting factors of
the course of a rule. Modernization has made the
pace of information and communication more
rapid. No wonder people compete to get
something they want right away. Modernization
causes life to become more modern.
2. Media Less Contains Information and
Impressions About Traditional Art. This world
with all its contents and events cannot escape
from its connection with the mass media; on the
contrary, the mass media cannot escape the
world with all its contents and events. This is
because the relationship between the two is so
close that it becomes interdependent and needs
each other. All content and events in the world
are a source of information for the mass media.
The mass media has duties and obligations -
besides being a means and infrastructure of
communication - to accommodate all types of
world contents and events in the world through
reporting or publications in various forms (news,
articles, research reports, etc.) of less attractive to
the most interesting, from unpleasant to very
pleasant - without any time limit. Therefore in
communication through mass media, mass media
and humans have a relationship of
interdependence and mutual need because each
has mutual interests, each of which needs each
other. The mass media needs news and
information for publication both for the interests
of the media itself and for the benefit of other
people or institutions; on the other hand, humans
need reporting, publications for certain interests.
3. Lack of interest in the Mentawai young
generation in learning traditional arts. The
younger generation tends to like to imitate the
culture of the outside. The existence of facilities
such as Android phones, internet, TV, radio,
magazines that display a lot of foreign cultures
make the younger generation unable to stem their
curiosity to try and imitate, so that their local
culture is regarded as old and outdated and their
foreign culture think of as modern and advanced.
4. Social Change. Social change is a change that
occurs as a variation of the way of life that has
been received because of changes in geographic
conditions, culture, composition of the
population, ideology, and the existence of
diffusion or new discoveries in society. Cultural
changes that occur in today's society, namely the
change from a closed society to a more open
society. Science and technology have changed
the world fundamentally. Communication and
means of international transportation have
eliminated the cultural boundaries of every
nation. Such transcultural events will inevitably
affect our artistic existence. Our traditional art is
a part of national culture that must be preserved.
5. Less creative and innovative Trader Artists.
Many think that traditional art is not entertaining
compared to art which is often broadcast on
television, most of which are modern art and
leave traditional arts. If these conditions are not
balanced with the creativity of the actors of
traditional arts in order to adapt to the times, then
slowly the traditional arts will lose followers or
spectators. Traditional art without audience is
like a teacher who has no students. Its existence
Desa Sioban Tato Tradition Policy in Preservation in Mentawai
405
as an entertainment media will disappear so that
traditional arts will be threatened with extinction.
The form of the Mentawai tattoo tradition is used
as part of the Mentawai Batik tattoo in tattoo
preservation:
Figure 1: Mentawai Batik Tattoo
4 CONCLUSIONS
Local Government Policy in Preserving Mentawai
Traditional Art, namely:
1. Implementation of fostering traditional arts
groups in the Mentawai. The fostering of
traditional arts groups is carried out in the form
of cadres carried out by the department of culture
and tourism to studios and art groups in the
Mentawai district. Art studios and groups that
have carried out cadres will be given facilities by
the service of culture and tourism, facilities
provided in the form of facilities and
infrastructure (traditional clothes, traditional
musical instruments). In addition to facilities, in
terms of mentoring the Mentawai culture and
tourism service and assisting art groups in
Mentawai district to be active and participate in
activities and events organized by the Mentawai
district and non-government districts, the
program also helps introduce art groups to the
wider community both inside and outside in
Mentawai district and promoting traditional
Mentawai traditional arts.
2. Working with art groups in Mentawai in order to
preserve traditional arts in the Mentawai. The
Mentawai district Culture and Tourism Office
cooperates with arts groups in the district in
order to preserve traditional arts, the
collaboration of which is that art groups are
activated and included in art performances held
by government and non-government agencies.
3. Become a facilitator (facilities / infrastructure) in
art activities in order to preserve traditional arts
in Mentawai district. One way to support the
preservation of regional (traditional) arts is the
Office of Culture and Tourism to provide
facilities to traditional arts organizations to carry
out their activities in the context of preserving
traditional arts. Facilities are not in the form of
funds (money) but in the form of facilities and
infrastructure such as traditional clothes, musical
instruments, and others.
4. Become a mediator for the community in
developing tourism potential (traditional arts) to
get financial assistance from private or non-
government agencies. The government has a
policy that is to help people who want to develop
the potential of tourism in their local area (in this
case traditional arts) to get financial assistance
from private institutions.
5. Make routine events in the form of traditional
arts in the context of preserving traditional arts.
The Culture and Tourism Agency also conducts
the Mentawai Festival every year which has been
held for 4 years. Factors Affecting Preservation
of Traditional Arts there are several factors that
influence the preservation of traditional arts in
Mentawai, among others: 1. Supporting Factors.
a. Government. b. Community participation in
traditional arts preservation events / activities. 2.
Inhibiting factors a. Modernization makes life
increasingly modern. b. Teenagers today tend to
like to imitate the culture of the outside. c. Mass
media which does not contain traditional arts. d.
Social change. e. The perpetrators of traditional
arts that are less creative and innovative.
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