attractive sight can be shown through the local
identity. Packaging design can act as media to
promote cultural identity. However, the promotional
tool is one of many roles that packaging design can
contribute—in broader terms, packaging can act as a
communication tools to effectively inform the
richness of national identity (Min, Idris, & Yusoff,
2018).
Nevertheless, local identity is not enough. It is
necessary to think about the sustainability of the local
product itself. A previous study conducted by
Mohede, Tumbuan, and Tielung (2018) related to
coffee packaging revealed that packaging functional
aspects, free sample/ bonus, sustainability factors,
and semi-disposable packaging also influence the
buying intention alongside the aesthetic aspects.
An attractive packaging design, local identity, and
also environmentally friendly are essential elements
that need to be considered in local marketing
products. A good packaging design is made based not
only on economic motivation but also on other
motivations such as social, cultural, and
environmental, which all work together to support
local products' sustainability.
The importance of packaging also increases with
the opportunity to change the traditional marketplace
into a virtual space enabled by an online shopping
support system. With the help of virtual marketplace
distance barriers being eliminated, head-to-head
competition based on 'online display' will become the
only way to interact with potential customers.
Previous studies revealed that traditional food
producers still prioritize economic motivation only in
packaging their products. To attract consumers and
compete globally, these local products need to be well
packaged, attractive and represent cultural identity.
In previous studies, the research team has obtained
opinions from producers regarding the above matters
(Hartanti, Nurviana, & Lukman, 2018).
This present study aims to analyze the
sustainability aspects of MSME products on the
packaging design side, characterized by culture in
souvenir food products from the potential consumer.
2 METHODS (AND MATERIALS)
2.1 ATUMICS: Method of
Transforming Traditions
This research follows Nugraha’s ATUMIC (2012)
approach suited to transform culture into a modern
product. The word 'transformation' comes from a
process of reshaping, modifying, or converting in a
variety of manifestations. This method views an
artifact, object, or product as having two main levels
of existence: micro and macro level. The micro-level
consists of anything tangible in the products, and the
construct contains (1) Technique (production
techniques, technology, skills, tools); (2) Utility
(functionality, usability, demand, needs); (3) Material
(natural ingredients, synthetic materials, smart
materials); (4) Icon (image, ornamentation, color,
graphics); (5) Concept (customs, beliefs, norms,
values); and (6) Shape (shape, structure, size, gestalt).
Macro-Level perceived the artifact as a consequence
and motivated by the cultural, social, economic,
ecology, self-expression, and survival aspects
connected. The ATUMICS model structure consists
of six essential elements and six motivation aspects
provided in Figure 1.
Figure 1: ATUMICS Model (Nugraha, 2012).
From the inventor of the ATUMICS model, it is
said that sustainability is supported by Cultural,
Economic, Social, and Ecology motivation aspects. In
this study, four mentioned aspects will be
implemented to describe the related constructed
elements for experimenting with local food
packaging. In general, sustainability defines as the
state of maintained condition at a specific rate or level.
Thus, if sustainability correlates with MSME
industries, in this case, refer to the state of continuity
of this industry as one way to preserve local people's
values.
Economic motivation is the first aspect to support
the sustain condition as it is arguably directly related
to the quality of life propagated by the capability to
provide basic needs to make life survive. Although
very powerful, the economy cannot be the only
motivation to produce products. In principle,
economic motivation must be balanced with other
motives such as culture, social, or ecological to create
an optimal balance. In individual artisans and