God was worshipped in nature. The sun was revered
as a divinity. Indra, the rain god, was elevated to the
position of king. All the natural elements were
revered as deities, including the sea god Varun, the
wind god Vayu, the soil god Prithvi, the fire god
Agni, and the sky god Akash. In religion, even the
planets were given prominence. The Trinity—
Brahma, Vishnu, and Mahesh—became increasingly
revered over time as the Creator, the Preserver, and
the Destroyer. Shiva is linked to scorpions, snakes,
and other insects. In addition to Narsimha (the lion),
Vishnu is also revered as a crocodile, fish, and turtle.
The gods of wealth Laxmi and Durga are represented
by the owl and Singh (the lion), respectively.
Indian classical texts, epics and Upanishads
include eco-friendly practices, care for nature,
reverence for nature, nourishment, and nature
conservation. Valmiki’s The Ramayan has a subtitle:
Book of Wilderness. Ram, who is supposed to be
Vishnu in human form, had a dynamic relationship
with nature throughout his exile there. His association
His connections with Hanuman (representing
monkeys), Jamvant (symbolising a bear), Marich
(associated with a deer), Laxman (linked to Sheshnag,
the serpent), Kakbhushund (correlating with a crow),
Garud (depicting a hawk), and Nandi illustrate the
deep bond between humans and their empathetic
understanding of animals' emotions. The concept of
wildlife preservation is an inherent part of Indian
culture. We are forbidden from destroying them
because we worship peepal, tulsi, bargad, awnla, and
use flowers, grass, leaves, belpatra, akauadhatura,
chandan, and many other things. The Panchtantra
teaches youngsters values and ethics via the use of
animal fables.
The writers of Indian English literature likewise
expressed a tremendous passion for nature and natural
objects. They accurately captured nature while
maintaining a keen awareness of it. When conveying
their ideas about the social environment, authors like
R. K. Narayan, Amitav Ghosh, Mulk Raj Anand, Raja
Rao, Kamala Markandaya, Ruskin Bond, Anita
Desai, Kiran Desai, and Indira Goswami have
referenced nature and its aspects.
Indian fiction, especially regional fiction, often
confronts political discourse in the context of
environmental degradation, suggesting that India
alone cannot influence the outcome of the crisis. The
novel chosen in my research article provides
perspective and engagement on the subject by
showing how closely related social and ecological
realities are.
The biggest problems in the environment, from
water pollution to global warming, from land and soil
degradation to human security and migration, arise
from the same human activities. Now looking at the
big problems of the environment, more and more
people are taking action to protect the environment
and telling others about environmental problems; A
large body of evidence shows the negative impact of
human activities on ecosystems.
Most recent literature deals with environmental
problems. Over the past decade, namely 2020,
cultural and environmental critics may ask why
writers have not engaged with themes of nature and
the environment. This shift in attention has had a huge
impact on the climate change discourse in literary
works, with the hopes of having a personal reaction
initiated thus helping create better environmental
awareness among the public, ultimately encouraging
better environmental policies and policies.
A masterpiece in Konkani, a novel written by
Pundalik N. Naik, Acchev was published in 1977, and
translated in English by Vidya Pai titled The
Upheaval. In this novel industrialization results in the
robbing the land of its precious flora and fauna.
Naik’s work effectively deals with the anxieties and
problems in the lives of poor peasants in India in
general and Goa in particular. In his article “Mining
Activity as a Self-invited Disaster of Man in The
Upheaval”, Akshay A.Yardi stated that, “The
Upheaval is a tragic story of a village by name
Kolamba. It has three veins running through. First, the
novel narrates the degradation of a society; second, it
shows the fall of a man due to his greed for wealth;
and the third, it speaks of the cultural degradation
too” (102). When the protagonist Pandari, decides to
work in the mine, the farmer's helplessness becomes
apparent as well as the culture of their indigenous
community is severely impacted as the mode of
occupation changes. But ultimately, we witness how
one wrong choice by Pandhari rooted in his appetite
for money, brings down annihilation on the family.
Pandhari was not the only one to work in the mill,
several other cultivators chose to work at the mines
for further diurnal stipend. These changes sluggishly
set in a vicious circle of events that take place in the
village. As the story proceeds, we see the villagers no
longer celebrate their traditional observances and
carnivals. Abu is an old man and worked for the well-
being of the people of the village. Savlo Master is an
academy school teacher in Kolamba. Both Abu and
Savlo Master are the companion- lights of culture and
good traditions for the villagers. But, the death of Abu
and the exit of Savlo master from the village of
Kolamba herald a series of further demeaning
incidents. The academy children are dragged on to
work at the mines and the womenfolk of the village
Environmental Concerns in Select Regional Novels Translated in English
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